cork stamps

In my kitchen I have a bowl of wine corks that I have been collecting for years. I just love the look of them, but have never come up with anything practical to do with them...
...until now. I was looking through 'The Decorated Page: Journals, Scrapbooks & Albums Made Simply Beautiful' by Gwen Diehn. This book has the most gorgeous examples of journals and scrapbooks and a lot of ideas of things to do. And one of the ideas that was new to me, was to carve stamps from corks so I gave it a try. I picked corks with the smoothest of ends, drew a simple design~star, spiral, dot, acorn, & flower~then carved out the background using my exacto knife...
I like the fact that the image doesn't come out looking perfect because of the imperfections in the surface of the cork.
Hope you are having a great day!


Snowflake Headband

Brrrrrrr. It is mighty cold here today. I sent DH back to work finally and all I accomplished while he was home on vacation was this measly snowflake headband.



I had to make a fire in the woodstove first thing this morning and I'm going to have to keep it stoked all day. Peaches doesn't look very happy at the thought of inspecting firewood all day instead of her usual daily routine of napping in the sunshine.



I'm no meteorologist but it looks like snow is on the way. You can't even see the mountains. That is a pile of pinon DH is working on splitting on the left.

Three decreases-- *knit 2 together *slip, slip, knit *3 stitch decrease

*Knit 2 together *slip, slip knit *three stitch decrease
click picture

includes a how-to

This post is about 3 handy decreases.

The first, "Knit 2 together" (abbreviated "k2tog") slants to the RIGHT. K2tog decreases away ONE STITCH every time it is done.

The second decrease, "Slip, slip, knit" (abbreviated "ssk") slants to the LEFT. Like k2tog, ssk also decreases away ONE STITCH every time it is done.

In lots of garments, paired decreases are used: k2tog AND ssk to make raglan decreases, v-necks (and other shapings too, like hat tops, sock gussets, etc.)

A third type of decrease "3 stitch decrease" (abbreviated "3stdec") slants neither right nor left, but makes a STRAIGHT LINE. 3stdec decreases away TWO STITCHES every time it is done. It is used especially on the tops of hats where a flat top is wanted (tams, roll-brim shaped hats) or to make the flat bottom of a knitted bag.

click picture
Here are directions for each of the three decreases:

KNIT 2 TOGETHER
(k2tog)
click picture

  1. PREPARATION: Insert right needle from left to right (knitwise) through the two stitches at the tip of the left needle. Draw the yarn through the loops.
  2. The FINAL RESULT: The LEFT stitch lies on top, the RIGHT stitch is hidden behind, and the decrease slants RIGHT. One stitch appears where 2 were before, so k2tog is a one-stitch decrease.

SLIP, SLIP, KNIT
(ssk)
click picture

  1. FIRST SLIP: Insert the right needle from left to right (knitwise) into the first stitch on the tip of the left needle, and slip the stitch onto the right needle.
  2. SECOND SLIP: Repeat same step with the second stitch
  3. KNIT TOGETHER THOUGH THE BACK LOOPS: Insert the left needle into the back of the 2 stitches previously slipped onto right needle. Draw the yarn through the loops from this position.
  4. The FINAL RESULT: The right stitch lies on top, the left stitch is hidden behind and the decrease slants left. One stitch appears where 2 were before, so (like k2tog) ssk is a one-stitch decrease.

3 STITCH DECREASE
(3stdec)
click picture

  1. Inserting from left to right (knitwise), run right needle through TWO loops at tip of left needle and slip these two stitches onto the right needle. Knit the next stitch. Next, insert the tip of the left needle under the 2 slipped stitches and lift them OVER the knitted stitch. This is called "passing the slipped stitch(es) over" and is abbreviated "psso."
  2. If 3stdec looks like combination of k2tog and ssk, that's because it is. Like k2tog, the stitch behind the top stitch slants right; like ssk, there is also a left slanting stitch behind the top stitch. The two slanted stitches combine to pull the top (middle) stitch straight. One stitch appears where 3 were before, so 3stdec is a two-stitch decrease.

(In a future post, there will be a pattern for improved baby booties which uses all three of these decreases.)

--TECHknitter

crafting and a new bag...

Today I thought I would work on the wooden pedestals from Anna Corba's Vintage Paper Crafts, in between the laundry and changing of beds. I rounded up some scraps of plywood in Mike's wood shop and found a couple of scrapped finials that were perfect for the project. Mike was at work, so I had the band saw, table saw, and drill press all to myself :-). After a phone call to ask where the proper drill bit was, I even countersunk the holes! A little wood filler and some sanding and these were my results...more pictures of my progress next time...

Over the weekend I finished up this bag using the barkcloth I bought at the antique co-op. As much as I hate to give it up, I've listed it in my shop...

Thanks for all your well-wishes for my son. After a few days on penecillin he is feeling much better!

Jogless stripes--a new way

includes a how-to
click picture
Knotingale asks "can you explain the 'jogless' join method for stripes knit in the round? I can't understand the instructions I've found thus far."

As we say here in Wisconsin, "yup, you bet!" Here's the short answer.

JOGLESS STRIPE HOW-TO
(a new way)
  • On color change rounds, change colors by knitting the first stitch of the new color as you usually would. Then, knit the rest of the stitches to the end of the round.
  • On the next round, slip the first stitch of the new color, then knit the rest of the stitches.
  • On every following round, knit every stitch as usual
Keep doing this over and over again. That's it. That's really all there is to it. Well--nearly all. You still face the issue of--

STACKING the COLOR CHANGES

The only thing at all complicated in jogless striping is how you choose to stack the color changes. If you choose to let the beginning of the round travel one stitch to the left with each color change (this WILL make sense as soon as you try jogless stripes with needles) then every part of every row will be the same height and have the same number of stitches. Such jogless stripes are called "traveling stripes." If you choose to hold the beginning of the round in the same place, then at one spot on every stripe, there will be one fewer stitches. Such jogless stripes are called "stationary stripes."

Here it is, one more time, slower, with complete step-by step directions and more photos.

TRAVELING JOGLESS STRIPES
  1. On the round BEFORE you intend to change colors, insert a stitch marker at the place you intend to change colors.
  2. On the color change round--slip the marker, then change colors by simply starting to knit with the new color.
  3. On the following round, when you come to the marker, slip it. Then, slip the first stitch of the new color from the left needle to the right needle WITHOUT KNITTING IT (and without twisting it--this is called "slipping purlwise"). Knit all the rest of the stitches of the round.
  4. Knit as many rounds as you desire for the stripe, knitting every stitch.
  5. One the round BEFORE your NEXT color change, shift the marker over one stitch to the left.
  6. Make more stripes by repeating steps 2 though 5.
These stripes are called "traveling jogless stripes."
  • ADVANTAGE: Every part of every round is the same height.
  • DISADVANTAGE: The round beginning "travels" one stitch leftward with every color change.
click picture

STATIONARY JOGLESS STRIPES
  1. On the round BEFORE you intend to change colors, insert a stitch marker at the place you intend to change colors.
  2. When you come to a color change round, slip the marker, then change colors by simply starting to knit with the new color.
  3. On the following round, when you come to the marker, slip it. Then, slip the first stitch of the new color from the left needle to the right needle WITHOUT KNITTING IT (and without twisting it--this is called "slipping purlwise"). Knit the rest of the stitches of the round.
  4. Knit as many rounds as you desire for the stripe, knitting every stitch.
  5. Make more stripes by repeating steps 2 through 4.
These stripes are called "stationary jogless stripes."
  • ADVANTAGE: the color change remains in the same place.
  • DISADVANTAGE: at one part of each round, that round will dip one stitch lower.
click picture

WHICH TO CHOOSE?

With stationary stripes, each stripe dips one stitch lower at the color change. With thin stripes, and/or in thin wool, you'd soon have substantially fewer stitches along this column, so the fabric might start to "pull" along that column of stitches. However, with thick wool (5 st/in or fewer) and/or thicker stripes, this isn't an issue because the knitting stretches enough to solve the problem. Therefore, stationary stripes are best for thick wool and/or thick stripes.

With traveling stripes, a faint spiral pattern will develop along the diagonal of the color change, so be careful not to pull your yarn too tight, especially if you are carrying the yarn behind from stripe to stripe. This spiral pattern is more obvious in heavy fabrics and less obvious in thinner fabrics, so the traveling stripes are better for thinner stripes and/or thinner wool.

If you have thin stripes in thick wool, or thick stripes in thin wool, you'll have to make up your own mind.

JOGLESS STRIPES AND GARMENT SHAPING

If you choose stationary stripes, you have no problem you wouldn't have with regular (non-jogless) stripes--you begin the garment shaping as directed in the pattern. If, however, you choose to let the round beginning shift by one stitch with each stripe--what will happen when you come to shape the garment?

Suppose your directions require that, "at the beginning of the next round," you must increase (or decrease) to shape the garment. If you've been using traveling stripes, where the heck IS the beginning of the round? Is it where the COLOR beginning of the round is, or is it where the cast-on ACTUAL beginning of the round is?

Long answer short: if you've used the 3-in-1 TECHjoin to start your circular knitting, you won't really be able to tell where the cast-on beginning of the garment is. This frees you to use the COLOR beginning as the beginning of the round. You start your shaping opposite the last color change (double-headed arrow photo below). When you start the shaping, you switch gears. In other words, once shaping begins, you hide the color change IN the shaping (the right part of the photo below). This keeps the color beginning of the round from wandering further and avoids complications.
click picture
Are you wondering how the spiral shift of traveling stripes will affect the shape of the finished garment? Will the one part of the garment be longer than another? The short answer is "no problem." Many knitted garments face this issue--to match shaping, the left front and the right front of a cardigan are almost always off by one row. The same thing with shoulder shaping--that too is almost always off by one row between the left and the right shoulders. Even a circular-knitted sock is one row off between the left side and the right side of the heel tab, or on either side of a short row heel. Knitting stretches, and a spiraling round beginning will not cause any greater problem than do any of these.

WHY ARE OTHER INSTRUCTIONS SO COMPLICATED?

In some other instructions, the pattern writer seeks STATIONARY color changes (the color change should stay in the same place) AND the same number of stitches in every part of every round. The only way to accomplish this is by somehow inserting an extra stitch in the same column as the color change, which can get messy pretty fast.

In other instructions, the jog is evened out--not by slipping the first stitch of the new color as set forth in this post--but by slipping some other stitch or part of a stitch already knitted (typically, a stitch in the row below). The complication isn't really one of execution--it is one of explanation. In other words, the complication arises from trying to explain which stitch or which part of which stitch from the row below should be slipped "up" onto the left needle, how that should be done, and what to do with it once it's there.


CONCLUSION

One thing is for sure: regardless of how you choose to stack your color changes, whether with traveling jogless stripes or stationary jogless stripes, your result has got to be better than regular (jogging) stripes--see photo below.
click picture


--TECHknitter

PS: There is a different version of this same information in a newer post with prettier photos, so for a different and prettier view of jogless stripes, here is the link.

Joining circular knitting--the 3-in-1 TECHjoin!

includes a how-to

Joining the first round of casting-on for circular knitting can get ugly. There is a horrid loose stitch where the join occurs, as well as a "jog." The tail gets unwound and makes the loose stitch even looser, while working in the tail has the potential to make a mess of the cast-on edge.
click picture

It need not be this way.

Here is a join for circular knitting which avoids that horrid loose stitch, eliminates that nasty little "jog" AND works in your tail, three tricks in one! Here is the TECHknitting 3-in-1 TECHjoin!
click picture

HOW TO

1. Begin with long-tail casting-on. Long-tail casting on actually consists of a foundation row AND a knitted first row. This double row is substantial and so is easier to keep "sunny side up" when joining.

2. For the first stitch of long-tail casting-on, do not use a slip knot. Instead, use a simple loop.(more info about the simple loop in the long tail post)

3. Make the cast-on row as follows:
click picture
  • Make the first stitch as a simple loop over one needle, not two.
  • Make the next two stitches as ordinary long-tail cast-on stitches, again looping over one needle, not two. (more info about casting on over two needles in the long-tail post)
  • After you've created the first three stitches, create additional cast-on stitches by looping over two needles until you have TWO LESS stitches than you need, total.
  • Create the next two cast-on stitches over only one needle.
  • ADD AN ADDITIONAL stitch, again casting on over only one needle.
  • Count your stitches. You should have one stitch more than you need, and the first and last three stitches should have been cast on over only one needle (not two)
  • In the photo above, the first stitch cast on (extreme right) is made by a simple loop. There are 23 stitches cast on, for a 22 stitch tube.

4. Create the join and the knit first round as follows:
  • Make sure that the stitches are "sunny side up" (not twisted).
  • Pull out one needle so all the stitches lie on one needle. (For dpn's, distribute evenly among 3 or 4 needles.) Arrange your work so the cast-on stitches to knit first lie on your LEFT needle.
  • Slip the first stitch (the one you made by the simple loop method) from the left needle to the right needle WITHOUT knitting it.
  • Starting with the second stitch, knit all the way around.
  • When you come to the end, knit the last stitch together with that first slipped stitch (in knitting parlance, knit 2 together, abbreviated k2tog).
  • SLIP THE NEXT STITCH (which was the second stitch you created, and the first stitch you knitted).
  • OPTIONAL: If you want to mark the beginning of the round, insert a stitch marker after this most recently slipped stitch.
  • Catch the tail yarn and hold it together with the standing yarn (standing yarn=the yarn coming from the ball). Knit the next three stitches with BOTH yarns, then drop the tail yarn and continue with the ball yarn.
Ta da! The right number of stitches, no loose join, no jog, and the tail end is already "worked in." A real 3-in-1 trick!

Are you nervous about trimming off the tail end? Wait until after you've washed and blocked the garment. This helps the tail felt into the fabric a bit more. For non-felting yarn, such as superwash wool or acrylic, consider working the tail in even further by picking it up on the second round and knitting it together with the standing yarn for an additional three stitches as you come past it on round 2.


--TECHknitter

Naked knits


This book was on my Christmas list and really Ashley Paige is into naked knits.

All good fun! and definatly the first knitting book your partner will want to pick up!

The patterns are cute and very 70's but still a bit out of my league. So heres a pair I designed myself.

4mm needle and a whole 50gm ball of yarn, I crocheted the edge and then plated the side strings.

Not sure if they'll make the beach but all good fun............next project the bra part!

corners

Not much to show today for 'corners of my home'. Today was all about a sick teenage boy with a cold & strep throat, which meant~
~a trip to the doctor's office
~a trip to the pharmacy
~a missed state Regent's exam
~chicken noodle soup & some TLC

The pictures are from my workroom...

This week I've been mostly knitting/crochet



A patch work quilt

And not a comfort sort, it's made up of knitting sample made from alternative materials. Then I used crochet to stitch them all together.

Interesting!

Plastic, wire, string etc etc

I LOVE fabrics...

It was very disappointing to find out recently that my local quilt shop had sold out to new owners. The shop will be moving to a new location about an hour away~not quite as convenient as the ten minute drive I enjoy now.
The only minor consolation is the great sales I found there today. The store is half emptied out, but I found a lot of great fabrics. I don't usually splurge on this much at one time, but I couldn't resist the deals. Isn't this 40's reproduction great?...

~some Heather Ross gnomes & stripes, a pale blue & white polka dot...

~some more polka dots & Heather Ross...

~MORE polka dots and some retro looking fabrics...

~don't you love this storybook print of Little Red Riding Hood?...

~an alphabet print...

~and last but not least a pretty 'Girlfriends' floral...

I think these will keep me busy for awhile.

Gauge, ease and fashion--or "why doesn't my sweater fit?"

includes a how-to
GAUGE, EASE and FASHION--
or "WHY DOESN'T MY HAND KNITTED SWEATER FIT?"

Knitting any pattern for the first time is an act of faith. You see a pattern. It appears on a model, cunningly displayed on a chair, or hanging at the LYS. Through some combination of experience, fashion sense and hope, you decide that although you aren't a model, a chair, or a hanger, that sweater will surely look as well on you.

You buy the yarn, you buy the pattern, you cast on. You switch needles 3 times until you get the exact gauge. You work diligently, keeping the gauge perfect all through the sweater. You assemble your masterpiece--and--well, um.

Your new sweater fits best if you don't button it and looks most modest if you don't breathe, or at least, don't breathe deeply around men other than your husband. And forget about raising your arms. It fits your daughter well enough though, so it goes to her. Not a disappointment, exactly, because she does look good in it, and modest too, but a sweater for your daughter is not what you were aiming for. What went wrong?

I am here to absolve you. It isn't your fault. It wasn't an error in your gauge--there was insufficient "ease" in the pattern to get the fit you were looking to get.

EASE

So what is ease? Well, when you buy a sweater at the store, you try a few on. Perhaps you find that even among garments from the same manufacturer, you prefer a size 6 sweater, while in a different model, a size 4 might fit better, you skinny thing you. Assuming we are not talking high-fashion sweaters here, the difference between the way the two sweaters fit is due to their "ease."

Stated otherwise, "ease" in a technical sense does not refer to lolling about watching TV while eating bon-bons. It refers to the amount of extra room inside your clothes--how much looser your clothes must fit than your skin does, in order that you do not tear your clothes (or compromise your dignity) every time you lift your arms, turn around, sit down. It is the amount of extra room which allows your clothes to slide and glide becomingly as you move around.

FASHION

Confusingly, the concept of ease often runs right into the concept of fashion. If you were to look at one high-schooler in each of the two major genders, you must blame fashion, not ease, for the fact that his pants could conceal himself and two friends (one in each baggy leg) while her pants can barely conceal herself. Fashion, not ease, dictates his pants are ready to fall off the edge because they are too loose, while her pants are ready to do the same for the opposite reason. Yet, even if both were dressed as their mothers would like them to be, it would be ease, not fashion, that dictates her pants must be cut broader in the beam than his, and that his pants must, regardless of fashion, be cut looser in the crotch than hers, at least if he desires to father viable offspring in the future, if you catch my drift here, ladies.

Leave aside fashion and assume that we knitters are persons of distinction seeking sober well-fitting garments. We still might not get what we want when set out to knit a sweater, because we might not consider how much ease we actually like to have in our clothing. And even if we do know how much ease we want in our clothing, we might not know how much ease the pattern creator allowed. When we leave sobriety behind and add fashion to the equation, we step ever further away from any assurance our laboriously hand-knitted garment is going to fit in an attractive manner. Obviously, what is wanted is the baby bear's amount of ease--not too much, not too little, but just right. But how to find it?

HOW TO MAKE SWEATERS THAT FIT

Here is the trick. Do NOT measure your BODY. No. Or at least, not yet--not first. Instead, go and measure your favorite sweater/hat/gloves/whatever it is you are trying to knit. That's right. Do not wrap the tape measure around you--use it to measure your favorite garment, instead.
click picture
The reason you love that garment is because it fits you the way you like clothes to fit. And that fit is something you can analyze. How big around is the sweater in the area of your bust? How big is your actual bust? The difference is the amount of ease you prefer in a sweater. Are you surprised that it might be as much as 8 inches, and maybe even 10 inches in a heavy jacket-type sweater? I know I was when I first started knitting sweaters.

How long do you want that sweater to be--do you want your "hips" (speaking euphemistically here) covered, or do you find that a garment grazing your belly-button is quite long enough, thank you? Better be sure that the sweater you are making is long enough to cover what you want covered (and only that). The best way, again, is going to be to measure your favorite sweater. Ditto sleeve length, ditto shoulder span, ditto neck hole width and depth, ditto v-neck depth and angle.

How about the depth of the armhole? My sister, a very thin work-out type person who wears a preposterously small size for an adult, just gave my young teenage daughter a very expensive Norwegian tapestry-knit sweater she originally bought for herself. It fit my sister very well everywhere except for the depth of the armholes. The armholes were too shallow, causing the sweater to bunch unattractively under my sister's (thin) arms. In other words, even assuming the garment you want to knit has the same armhole style as your fave, what is the armhole depth of your proposed creation?

click picture
Now let's add fashion to the equation: Look at the shoulder--are all your favorite sweaters drop shoulder? If so, why assume that raglan sweater you are planning to knit is going to be flattering? A drop shoulder sweater typically hangs so the shoulder seam lies some inches past your natural shoulder--a shoulder-broadening boon to the narrow-shouldered. A raglan sweater has, technically speaking, no shoulder at all. The wearer's shoulder defines the sweater's shoulder. A narrow-shouldered person accustomed to depending on their sweater for a few extra inches of shoulder-broadening might possibly look like the nose-cone of a ballistic missile in a raglan sweater (ask me how I know...). On the other hand, a broad-shouldered swimmer looking to minimize her shoulder span might look equally ridiculous in a drop-shouldered sweater--like she changed her sport to football and forgot to take off the pads.

OK, enough philosophy. Here's where the rubber meets the road. Before you knit a sweater from a pattern, be SURE that the pattern gives the FINISHED GARMENT SIZE in inches (or centimeters) not just in dress sizes. If the pattern does NOT give the finished garment size, you proceed at your own risk and have a lot of detective work in front of you. Where finished garment sizes ARE provided, USE THEM. If you are a size 10, and the finished garment size for size 10 differs from your favorite sweater, you must disregard the size designation--DO NOT KNIT A SIZE 10. No. Do not. Knit the sweater which will give you the finished garment size, measured in inches (or centimeters) closest to your favorite sweater. This way, regardless of how much ease the PATTERN MAKER thought would be appropriate, your finished sweater--whether it is labeled size 8 or size 14, will fit YOUR notion of how much ease is appropriate to YOUR body.

You may have to do some detective work to figure out some of the dimensions of the finished garment--the armhole depth is typically not given in American patterns (although it often is in European ones). You may have to work backwards from the pattern directions (so and so many rows, at such and such a row gauge) to determine the armhole opening depth. (Hint: your LYS lady (man?) is a great resource here, and it is for this service that you should be HAPPY to pay them more per skein than you could pay for that same yarn on the internet.) (Conversely, if this is all beyond the LYS personnel, think about finding a different LYS.)

A caveat: The heavier the fabric, the greater ease required. If your favorite sweater is lighter weight than the weight of the sweater you are planning to knit, you will have to add ease so the thicker sweater fits as well as the thinner sweater does. Conversely, if your favorite sweater is heavier in weight than the sweater you are planning to knit, you must subtract ease to get to the right fit. How much ease to add or subtract is, of course, a judgment call, which is why the very best way to get a good result is to use a sweater in the style and weight you want to make as your taking-off point.

click picture
Another caveat: Very high fashion styling puts paid to all the foregoing because, unless you already own a leg-of-mutton sleeved sweater with a twirly button band and the fronts longer than the back, you really have nothing against which to measure your proposed new handknitted leg-of-mutton sweater with etc. (And if you did possess such a creature already, it might be unlikely that you'd require another.) In such a case, perhaps a foray into a modish department store or boutique and some surreptitious activity with your tape measure in the fitting room will lay the necessary groundwork to assure a better fit when this eventual fashion masterpiece rolls from your needles.

A final thought: If you used the same yarn and needles to make your next project, you'd be ahead of the game. You already have a big, big gauge swatch in the sweater (hat, mittens, whatever) which you made first. You have an important body of knowledge and experience gleaned from working with that yarn and those needles. You know in the core of your being what X number of stitches look like after they come off the needles. With this information, you're far more likely to make a fitting garment the second time through than you were the first time around.

After all, think on traditional folk knitters: unlike modern knitters, they didn't use a different yarn and different needles for each project. In fact, most had access to only one weight of yarn, and they used the same needles over and over again. I don't advocate that every sweater you ever make ought to be in the same yarn as you used for the first one, but you will get an increasingly professional-looking result with each project for which you use the same yarn and needles.

--TECHknitter

some good reading

It's been very cold and snowy the last few days~perfect weather to hibernate by the fire with a good book. When I was at Joann Fabrics for my machine class I saw this book by Anna Corba and had to have it. Luckily I had my 40% off coupon with me...

I love the projects! and have started on a couple over the weekend. My Dover Pub. clipart book is coming in handy, and I have been coffee-dying page after page, as well as cutting up seed catalog illustrations and old books I have collected.

Another bargain I was excited to find recently was this book by Katrin Cargill at Barnes & Noble for under $6.00. I love her simple style, and found a Swedish roll-up blind I can't wait to make for my workroom...

I also just received the February Country Home issue, and it's a good one. Some really cute ideas for Valentine's Day decorations and gifts to make, with instructions that can be downloaded from their website. Just in time to get some ideas for those Valentines I need to get done!

Of course, if I don't get out to the laundry room and fold that 'mountain' of clothes, there won't be any crafting or reading going on tonight.

Have a good day!

Checkered Socks




I finished a pair of socks finally. I started with the checkered socks from Socks, Socks, Socks and then took off and did my own thing. The colors are better in real life but today we actually have some sun here in NM which is fading the colors. I can never seem to get turquoise right in a photograph or a scan. Anyway, I used worsted weight yarn from my stash (Cascade 220 and Peruvian Highland wool), size 4 dpns, and 48 stitches.

some finished sewing projects


I know...I said I would be back on Friday with pictures of what I've been working on, but we had more computer problems. Poor hubby worked on it most of the weekend, and now we are back in business.

I am just loving my new sewing machine and having fun learning all that it does. The two classes I received on it really taught me a lot.

Here are some new things I have made and have added to the shop
~tissue holders of linen with a cotton print and a vintage button...

I finished this bag and matching keychain, which have already been mailed out to the new owner...

Although it's cold and snowy here, I am trying to think ahead to summer and spring as far as bag design...I like the print with the white twill on this tote bag...

I have also been having fun making these coasters...

... the purple and green set was sent out at Christmas...

Have a good day!


Mollys new project



It's a hat and scarf! We saw a boy wearing one of these on the tram, so she thought she'd make her own.

She used her kiddies knit machine to make the scarf part and then I picked up the stitches and crocheted the hat part.

Part three's lesson, is how to make a pom pom. She's on a roll so soon the scarf part will be finished.

Completed!




My finished dress, I have shown it in the three parts as the middle was not that intreasting its just long and thin (like the super models)

The button sets off the top and the crochet egding give a nice effect, kind of a Spanish Dancer feeling.

The fabric feels pretty strong, considering its made from paper. I guess the proof will be in the pudding (meaning when someone trys it on) It's a bit of a double pun! Models & Pudding, not really any link.