cork stamps
Snowflake Headband
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I had to make a fire in the woodstove first thing this morning and I'm going to have to keep it stoked all day. Peaches doesn't look very happy at the thought of inspecting firewood all day instead of her usual daily routine of napping in the sunshine.
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I'm no meteorologist but it looks like snow is on the way. You can't even see the mountains. That is a pile of pinon DH is working on splitting on the left.
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Three decreases-- *knit 2 together *slip, slip, knit *3 stitch decrease
This post is about 3 handy decreases.
The first, "Knit 2 together" (abbreviated "k2tog") slants to the RIGHT. K2tog decreases away ONE STITCH every time it is done.
The second decrease, "Slip, slip, knit" (abbreviated "ssk") slants to the LEFT. Like k2tog, ssk also decreases away ONE STITCH every time it is done.
In lots of garments, paired decreases are used: k2tog AND ssk to make raglan decreases, v-necks (and other shapings too, like hat tops, sock gussets, etc.)
A third type of decrease "3 stitch decrease" (abbreviated "3stdec") slants neither right nor left, but makes a STRAIGHT LINE. 3stdec decreases away TWO STITCHES every time it is done. It is used especially on the tops of hats where a flat top is wanted (tams, roll-brim shaped hats) or to make the flat bottom of a knitted bag.
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(k2tog)
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- PREPARATION: Insert right needle from left to right (knitwise) through the two stitches at the tip of the left needle. Draw the yarn through the loops.
- The FINAL RESULT: The LEFT stitch lies on top, the RIGHT stitch is hidden behind, and the decrease slants RIGHT. One stitch appears where 2 were before, so k2tog is a one-stitch decrease.
(ssk)
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- FIRST SLIP: Insert the right needle from left to right (knitwise) into the first stitch on the tip of the left needle, and slip the stitch onto the right needle.
- SECOND SLIP: Repeat same step with the second stitch
- KNIT TOGETHER THOUGH THE BACK LOOPS: Insert the left needle into the back of the 2 stitches previously slipped onto right needle. Draw the yarn through the loops from this position.
- The FINAL RESULT: The right stitch lies on top, the left stitch is hidden behind and the decrease slants left. One stitch appears where 2 were before, so (like k2tog) ssk is a one-stitch decrease.
(3stdec)
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- Inserting from left to right (knitwise), run right needle through TWO loops at tip of left needle and slip these two stitches onto the right needle. Knit the next stitch. Next, insert the tip of the left needle under the 2 slipped stitches and lift them OVER the knitted stitch. This is called "passing the slipped stitch(es) over" and is abbreviated "psso."
- If 3stdec looks like combination of k2tog and ssk, that's because it is. Like k2tog, the stitch behind the top stitch slants right; like ssk, there is also a left slanting stitch behind the top stitch. The two slanted stitches combine to pull the top (middle) stitch straight. One stitch appears where 3 were before, so 3stdec is a two-stitch decrease.
(In a future post, there will be a pattern for improved baby booties which uses all three of these decreases.)
--TECHknitter
crafting and a new bag...
Jogless stripes--a new way
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As we say here in Wisconsin, "yup, you bet!" Here's the short answer.
(a new way)
- On color change rounds, change colors by knitting the first stitch of the new color as you usually would. Then, knit the rest of the stitches to the end of the round.
- On the next round, slip the first stitch of the new color, then knit the rest of the stitches.
- On every following round, knit every stitch as usual
The only thing at all complicated in jogless striping is how you choose to stack the color changes. If you choose to let the beginning of the round travel one stitch to the left with each color change (this WILL make sense as soon as you try jogless stripes with needles) then every part of every row will be the same height and have the same number of stitches. Such jogless stripes are called "traveling stripes." If you choose to hold the beginning of the round in the same place, then at one spot on every stripe, there will be one fewer stitches. Such jogless stripes are called "stationary stripes."
Here it is, one more time, slower, with complete step-by step directions and more photos.
- On the round BEFORE you intend to change colors, insert a stitch marker at the place you intend to change colors.
- On the color change round--slip the marker, then change colors by simply starting to knit with the new color.
- On the following round, when you come to the marker, slip it. Then, slip the first stitch of the new color from the left needle to the right needle WITHOUT KNITTING IT (and without twisting it--this is called "slipping purlwise"). Knit all the rest of the stitches of the round.
- Knit as many rounds as you desire for the stripe, knitting every stitch.
- One the round BEFORE your NEXT color change, shift the marker over one stitch to the left.
- Make more stripes by repeating steps 2 though 5.
- ADVANTAGE: Every part of every round is the same height.
- DISADVANTAGE: The round beginning "travels" one stitch leftward with every color change.
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- On the round BEFORE you intend to change colors, insert a stitch marker at the place you intend to change colors.
- When you come to a color change round, slip the marker, then change colors by simply starting to knit with the new color.
- On the following round, when you come to the marker, slip it. Then, slip the first stitch of the new color from the left needle to the right needle WITHOUT KNITTING IT (and without twisting it--this is called "slipping purlwise"). Knit the rest of the stitches of the round.
- Knit as many rounds as you desire for the stripe, knitting every stitch.
- Make more stripes by repeating steps 2 through 4.
- ADVANTAGE: the color change remains in the same place.
- DISADVANTAGE: at one part of each round, that round will dip one stitch lower.
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With traveling stripes, a faint spiral pattern will develop along the diagonal of the color change, so be careful not to pull your yarn too tight, especially if you are carrying the yarn behind from stripe to stripe. This spiral pattern is more obvious in heavy fabrics and less obvious in thinner fabrics, so the traveling stripes are better for thinner stripes and/or thinner wool.
If you have thin stripes in thick wool, or thick stripes in thin wool, you'll have to make up your own mind.
Suppose your directions require that, "at the beginning of the next round," you must increase (or decrease) to shape the garment. If you've been using traveling stripes, where the heck IS the beginning of the round? Is it where the COLOR beginning of the round is, or is it where the cast-on ACTUAL beginning of the round is?
Long answer short: if you've used the 3-in-1 TECHjoin to start your circular knitting, you won't really be able to tell where the cast-on beginning of the garment is. This frees you to use the COLOR beginning as the beginning of the round. You start your shaping opposite the last color change (double-headed arrow photo below). When you start the shaping, you switch gears. In other words, once shaping begins, you hide the color change IN the shaping (the right part of the photo below). This keeps the color beginning of the round from wandering further and avoids complications.
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In some other instructions, the pattern writer seeks STATIONARY color changes (the color change should stay in the same place) AND the same number of stitches in every part of every round. The only way to accomplish this is by somehow inserting an extra stitch in the same column as the color change, which can get messy pretty fast.
In other instructions, the jog is evened out--not by slipping the first stitch of the new color as set forth in this post--but by slipping some other stitch or part of a stitch already knitted (typically, a stitch in the row below). The complication isn't really one of execution--it is one of explanation. In other words, the complication arises from trying to explain which stitch or which part of which stitch from the row below should be slipped "up" onto the left needle, how that should be done, and what to do with it once it's there.
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--TECHknitter
PS: There is a different version of this same information in a newer post with prettier photos, so for a different and prettier view of jogless stripes, here is the link.
Joining circular knitting--the 3-in-1 TECHjoin!
Joining the first round of casting-on for circular knitting can get ugly. There is a horrid loose stitch where the join occurs, as well as a "jog." The tail gets unwound and makes the loose stitch even looser, while working in the tail has the potential to make a mess of the cast-on edge.
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It need not be this way.
Here is a join for circular knitting which avoids that horrid loose stitch, eliminates that nasty little "jog" AND works in your tail, three tricks in one! Here is the TECHknitting 3-in-1 TECHjoin!
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1. Begin with long-tail casting-on. Long-tail casting on actually consists of a foundation row AND a knitted first row. This double row is substantial and so is easier to keep "sunny side up" when joining.
2. For the first stitch of long-tail casting-on, do not use a slip knot. Instead, use a simple loop.(more info about the simple loop in the long tail post)
3. Make the cast-on row as follows:
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- Make the first stitch as a simple loop over one needle, not two.
- Make the next two stitches as ordinary long-tail cast-on stitches, again looping over one needle, not two. (more info about casting on over two needles in the long-tail post)
- After you've created the first three stitches, create additional cast-on stitches by looping over two needles until you have TWO LESS stitches than you need, total.
- Create the next two cast-on stitches over only one needle.
- ADD AN ADDITIONAL stitch, again casting on over only one needle.
- Count your stitches. You should have one stitch more than you need, and the first and last three stitches should have been cast on over only one needle (not two)
- In the photo above, the first stitch cast on (extreme right) is made by a simple loop. There are 23 stitches cast on, for a 22 stitch tube.
4. Create the join and the knit first round as follows:
- Make sure that the stitches are "sunny side up" (not twisted).
- Pull out one needle so all the stitches lie on one needle. (For dpn's, distribute evenly among 3 or 4 needles.) Arrange your work so the cast-on stitches to knit first lie on your LEFT needle.
- Slip the first stitch (the one you made by the simple loop method) from the left needle to the right needle WITHOUT knitting it.
- Starting with the second stitch, knit all the way around.
- When you come to the end, knit the last stitch together with that first slipped stitch (in knitting parlance, knit 2 together, abbreviated k2tog).
- SLIP THE NEXT STITCH (which was the second stitch you created, and the first stitch you knitted).
- OPTIONAL: If you want to mark the beginning of the round, insert a stitch marker after this most recently slipped stitch.
- Catch the tail yarn and hold it together with the standing yarn (standing yarn=the yarn coming from the ball). Knit the next three stitches with BOTH yarns, then drop the tail yarn and continue with the ball yarn.
Are you nervous about trimming off the tail end? Wait until after you've washed and blocked the garment. This helps the tail felt into the fabric a bit more. For non-felting yarn, such as superwash wool or acrylic, consider working the tail in even further by picking it up on the second round and knitting it together with the standing yarn for an additional three stitches as you come past it on round 2.
--TECHknitter
Naked knits
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All good fun! and definatly the first knitting book your partner will want to pick up!
The patterns are cute and very 70's but still a bit out of my league. So heres a pair I designed myself.
4mm needle and a whole 50gm ball of yarn, I crocheted the edge and then plated the side strings.
Not sure if they'll make the beach but all good fun............next project the bra part!
corners
This week I've been mostly knitting/crochet
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A patch work quilt
And not a comfort sort, it's made up of knitting sample made from alternative materials. Then I used crochet to stitch them all together.
Interesting!
Plastic, wire, string etc etc
I LOVE fabrics...
Gauge, ease and fashion--or "why doesn't my sweater fit?"
or "WHY DOESN'T MY HAND KNITTED SWEATER FIT?"
Knitting any pattern for the first time is an act of faith. You see a pattern. It appears on a model, cunningly displayed on a chair, or hanging at the LYS. Through some combination of experience, fashion sense and hope, you decide that although you aren't a model, a chair, or a hanger, that sweater will surely look as well on you.
You buy the yarn, you buy the pattern, you cast on. You switch needles 3 times until you get the exact gauge. You work diligently, keeping the gauge perfect all through the sweater. You assemble your masterpiece--and--well, um.
Your new sweater fits best if you don't button it and looks most modest if you don't breathe, or at least, don't breathe deeply around men other than your husband. And forget about raising your arms. It fits your daughter well enough though, so it goes to her. Not a disappointment, exactly, because she does look good in it, and modest too, but a sweater for your daughter is not what you were aiming for. What went wrong?
I am here to absolve you. It isn't your fault. It wasn't an error in your gauge--there was insufficient "ease" in the pattern to get the fit you were looking to get.
So what is ease? Well, when you buy a sweater at the store, you try a few on. Perhaps you find that even among garments from the same manufacturer, you prefer a size 6 sweater, while in a different model, a size 4 might fit better, you skinny thing you. Assuming we are not talking high-fashion sweaters here, the difference between the way the two sweaters fit is due to their "ease."
Stated otherwise, "ease" in a technical sense does not refer to lolling about watching TV while eating bon-bons. It refers to the amount of extra room inside your clothes--how much looser your clothes must fit than your skin does, in order that you do not tear your clothes (or compromise your dignity) every time you lift your arms, turn around, sit down. It is the amount of extra room which allows your clothes to slide and glide becomingly as you move around.
Confusingly, the concept of ease often runs right into the concept of fashion. If you were to look at one high-schooler in each of the two major genders, you must blame fashion, not ease, for the fact that his pants could conceal himself and two friends (one in each baggy leg) while her pants can barely conceal herself. Fashion, not ease, dictates his pants are ready to fall off the edge because they are too loose, while her pants are ready to do the same for the opposite reason. Yet, even if both were dressed as their mothers would like them to be, it would be ease, not fashion, that dictates her pants must be cut broader in the beam than his, and that his pants must, regardless of fashion, be cut looser in the crotch than hers, at least if he desires to father viable offspring in the future, if you catch my drift here, ladies.
Leave aside fashion and assume that we knitters are persons of distinction seeking sober well-fitting garments. We still might not get what we want when set out to knit a sweater, because we might not consider how much ease we actually like to have in our clothing. And even if we do know how much ease we want in our clothing, we might not know how much ease the pattern creator allowed. When we leave sobriety behind and add fashion to the equation, we step ever further away from any assurance our laboriously hand-knitted garment is going to fit in an attractive manner. Obviously, what is wanted is the baby bear's amount of ease--not too much, not too little, but just right. But how to find it?
Here is the trick. Do NOT measure your BODY. No. Or at least, not yet--not first. Instead, go and measure your favorite sweater/hat/gloves/whatever it is you are trying to knit. That's right. Do not wrap the tape measure around you--use it to measure your favorite garment, instead.
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How long do you want that sweater to be--do you want your "hips" (speaking euphemistically here) covered, or do you find that a garment grazing your belly-button is quite long enough, thank you? Better be sure that the sweater you are making is long enough to cover what you want covered (and only that). The best way, again, is going to be to measure your favorite sweater. Ditto sleeve length, ditto shoulder span, ditto neck hole width and depth, ditto v-neck depth and angle.
How about the depth of the armhole? My sister, a very thin work-out type person who wears a preposterously small size for an adult, just gave my young teenage daughter a very expensive Norwegian tapestry-knit sweater she originally bought for herself. It fit my sister very well everywhere except for the depth of the armholes. The armholes were too shallow, causing the sweater to bunch unattractively under my sister's (thin) arms. In other words, even assuming the garment you want to knit has the same armhole style as your fave, what is the armhole depth of your proposed creation?
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OK, enough philosophy. Here's where the rubber meets the road. Before you knit a sweater from a pattern, be SURE that the pattern gives the FINISHED GARMENT SIZE in inches (or centimeters) not just in dress sizes. If the pattern does NOT give the finished garment size, you proceed at your own risk and have a lot of detective work in front of you. Where finished garment sizes ARE provided, USE THEM. If you are a size 10, and the finished garment size for size 10 differs from your favorite sweater, you must disregard the size designation--DO NOT KNIT A SIZE 10. No. Do not. Knit the sweater which will give you the finished garment size, measured in inches (or centimeters) closest to your favorite sweater. This way, regardless of how much ease the PATTERN MAKER thought would be appropriate, your finished sweater--whether it is labeled size 8 or size 14, will fit YOUR notion of how much ease is appropriate to YOUR body.
You may have to do some detective work to figure out some of the dimensions of the finished garment--the armhole depth is typically not given in American patterns (although it often is in European ones). You may have to work backwards from the pattern directions (so and so many rows, at such and such a row gauge) to determine the armhole opening depth. (Hint: your LYS lady (man?) is a great resource here, and it is for this service that you should be HAPPY to pay them more per skein than you could pay for that same yarn on the internet.) (Conversely, if this is all beyond the LYS personnel, think about finding a different LYS.)
A caveat: The heavier the fabric, the greater ease required. If your favorite sweater is lighter weight than the weight of the sweater you are planning to knit, you will have to add ease so the thicker sweater fits as well as the thinner sweater does. Conversely, if your favorite sweater is heavier in weight than the sweater you are planning to knit, you must subtract ease to get to the right fit. How much ease to add or subtract is, of course, a judgment call, which is why the very best way to get a good result is to use a sweater in the style and weight you want to make as your taking-off point.
click picture
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A final thought: If you used the same yarn and needles to make your next project, you'd be ahead of the game. You already have a big, big gauge swatch in the sweater (hat, mittens, whatever) which you made first. You have an important body of knowledge and experience gleaned from working with that yarn and those needles. You know in the core of your being what X number of stitches look like after they come off the needles. With this information, you're far more likely to make a fitting garment the second time through than you were the first time around.
After all, think on traditional folk knitters: unlike modern knitters, they didn't use a different yarn and different needles for each project. In fact, most had access to only one weight of yarn, and they used the same needles over and over again. I don't advocate that every sweater you ever make ought to be in the same yarn as you used for the first one, but you will get an increasingly professional-looking result with each project for which you use the same yarn and needles.
--TECHknitter
some good reading
Another bargain I was excited to find recently was this book by Katrin Cargill at Barnes & Noble for under $6.00. I love her simple style, and found a Swedish roll-up blind I can't wait to make for my workroom...
Have a good day!
Checkered Socks
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I finished a pair of socks finally. I started with the checkered socks from Socks, Socks, Socks and then took off and did my own thing. The colors are better in real life but today we actually have some sun here in NM which is fading the colors. I can never seem to get turquoise right in a photograph or a scan. Anyway, I used worsted weight yarn from my stash (Cascade 220 and Peruvian Highland wool), size 4 dpns, and 48 stitches.
some finished sewing projects
Although it's cold and snowy here, I am trying to think ahead to summer and spring as far as bag design...I like the print with the white twill on this tote bag...
I have also been having fun making these coasters...
Mollys new project
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It's a hat and scarf! We saw a boy wearing one of these on the tram, so she thought she'd make her own.
She used her kiddies knit machine to make the scarf part and then I picked up the stitches and crocheted the hat part.
Part three's lesson, is how to make a pom pom. She's on a roll so soon the scarf part will be finished.
Completed!
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My finished dress, I have shown it in the three parts as the middle was not that intreasting its just long and thin (like the super models)
The button sets off the top and the crochet egding give a nice effect, kind of a Spanish Dancer feeling.
The fabric feels pretty strong, considering its made from paper. I guess the proof will be in the pudding (meaning when someone trys it on) It's a bit of a double pun! Models & Pudding, not really any link.