Color Knitting Links - Thanksgiving Edition
Green Sweater
This sweater has been heavily varied. If you module notice there are no leaves in this Leaves Human. The copy calls for folio equivalent thingys hanging down from the hem. I likable them in the pictures but when I started needlework them onto my person I decided that it looked totally too "Peter Pan-ish" especially with this form chromatic.
I also else 2-3 inches in size to the body and the sleeves, and didn't sew on any participant string as the graph called for.
NeverNotKnitting Podcast : Episode 39 : Adventures Of A Prodigal Knitter
Olympic Knitting Update
I do have a few Olympic knitting links:
HERE is the striking Nordic hat the athletes from Andorra were wearing during the Parade of Nations in last night's Opening Ceremony. Check the photo for the navy, white, and red one - also someone on Ravelry had a screen shot of one athlete wearing the white/blue/black version. Apparently HERE is the sweater they were wearing.
If you have an extra $425 burning a hole in your pocket, HERE is the Ralph Lauren Aran sweater worn by the US athletes in the Opening Ceremony.
If you want to knit a moose? hat like the ones the US athletes were wearing, HERE is a free pattern that should get you started.
HERE is a free pattern for some Olympic mittens to coordinate with the official gear worn by the Canadian athletes.
ETA: HERE is a free pattern for red mittens with a maple leaf like the Canadian athletes were wearing. Also, HERE is a free pattern for the red and white O Canada Mittens complete with maple leaves and Olympic rings.
Finally, you absolutely must check out Ruth's beautifully-photographed blog. She is a knitter/dyer extraordinaire who lives in Whistler (quite possibly the most beautiful place on the planet) and is planning to get a lot of on-the-scenes photos of the Olympic festivities.
Once again Happy Valentine's Day!
New Buttons
I love buttons. They can add so much to a finished piece.I was recently very excited to find this awesome button selection at Tangled Yarns
and couldn't help but get some for myself!
This is a really good thing because if buttons are too heavy
they can weigh down your sweater or cause the fabric
to fold over on itself if left unbuttoned.
I love the way the cut out buttons look with my Tea Leaves Cardigan!
They are the perfect size too!

Squishy Sweaters
This winter I have really enjoyed working on sweaters. But not just any sweaters.. sweaters knit from single ply soft merino wool.It's my new knitting obsession.
There is nothing like spending a wintry evening inside
with a warm merino sweater on your lap.
There is something so cozy and comforting about the process.
These two in the photo are my Vine Yoke and Tea Leaves Cardigans.
One is knit in Malabrigo Worsted and the other in Tosh Merino.
Two very similar yarns. Equally soft and squishy.

I'm very excited to get them done.. but will miss working on them at the same time.
Thankfully I came across another sweater pattern recently which would make another wonderfully squishy project.
Click here to see. I'm thinking about Tosh Merino in Tart for this one.
Wow. I love yarn.
A New Sweater And The Bag It Calls Home
I recently fell in love with yet another sweater pattern. The Tea Leaves Cardigan by madelinetosh. Even though I still have a few projects currently on the needles, I felt the need to cast on for this one right away.
Do you blame me? Seriously.Is it just me.. or is this ruched yoke pattern in this colorway of madelinetosh merino pretty much the most beautiful thing ever?
I decided that I had to go with the Tannehill colorway for my sweater, just like the original pattern photo. This color intrigued me in the pictures and is equally stunning in real life. Usually I would be scared of so many colors thrown together in one yarn.. but its so elegantly executed. It's truly unique and lovely.
(Be sure to listen to Episode 30 of the NeverNotKnitting podcast airing tomorrow.
There will be a special offer from Backwards Loop for the madelinetosh yarns.)
Plus I had to have something exciting and new to put into my new RoseKnits project bag.
If you aren't familiar with these bags, I highly suggest you check out RoseKnits etsy shop and the selection at Backwards Loop.
I am in love with this little bag. It holds 2 balls of yarn, my work-in-progress and the pattern quite comfortably with room to spare!And it's a whole lot cuter than the gallon size ziploc bags that I normally use...
enjoying Autumn
Some ideas just make you say "WOW"
expensive, fancy yarn sock
You could do something wonderfully cool to make sure you get the maximum bang for your [expensive sock yarn] buck, if you are making a plain sock: Start with a ribbed cuff in contrasting yarn. Switch to your main yarn and knit one long sock-leg tube until you run out of yarn, then end it with a second cuff out of your contrasting yarn. Measure it and insert two lifelines a row or two apart at the center of your tube. Snip one stitch and unravel the row so that now you will have two equal-length tubes of sock. With your contrasting yarn, make your toes down from the live stitches on your lifelines and your afterthought heels in the appropriate spot.
Cheri was careful to note that the idea was not original with her, and that she wished she could remember where she'd read it so as to give credit where is is due. A great tip nonetheless, and thanks Cheri, for permission to re-print your post. (PS: Cheri has an online shop here.)
Addendum, November 24, 2010: Here is another "wow" way to make cables for a Boye interchangeable needle set. This new method is ALL do-it-yourself!!
1. Chart-a-rama: Into the "form" box, you type a pattern written in standard knitting shorthand, formatted according to some easy-to-understand rules. Click "make the chart," and Chart-a-rama will automatically generate a perfectly-formatted knitting chart. This would be very handy if you prefer to work from charts, but only have a older-type knitting pattern written out in knitting shorthand instructions.
2. Knitting Chart maker by Jacquie: If you prefer to type in your chart symbols directly, this site has loads of symbols and is easy-to-use.
3. Microrevolt's Knitpro application makes a color chart directly from an image. Want to knit your dog's face onto the back of a sweater? Knit a message on your socks? Knit giant flowers onto your afghan? This app will create the chart for you, and it's pre-set at the correct knitting ratio of stitches to rows.
Thanks to all these great knitters who've illuminated the community of knitters with their generous sharing of time, talent and ideas.
--TK

I'm changing the cuff and hem patterns to the ones used for a different pattern in the booklet, Lake Louise. The Lake Louise cuff patterns are maple leaves so they'll work with the main maple leaf Whistler design.
I've started another hat, this time the Le Massif hat from the same Dale Commemorative Collection booklet, to test out these colors. So far the dark green is NOT contrasting enough with the main tapestry blue so I will probably have to switch it out with either a dark red or another one of the brown heathers.
I'm really happy with this yarn for lighter weight Dale of Norway sweaters. It has a nice sheen to it and I am not noticing any pilling problems yet. I just wish they had more colors!
NeverNotKnitting Podcast : Episode 8 : Facing The Felt
Shownotes:
NeverNotKnitting Ravelry Group
Episode 7 Drawing Winners:
1st place: Denise/CT wins Amelie sock pattern
2nd place: Ikkinlala wins Vogue Magazine
3rd place Tied: BethanyG wins Knitters Magazine
3rd place Tied: Prof. Askey wins Amelie sock pattern
Thanks Everyone! Congratulations!
NeverNotKnitting Podcast : Episode 6 : The Untrained Train Knitter
Shownotes:
Dont forget to join the NeverNotKnitting podcast listeners group!
Bean is the drawing winner for Episode 5! YAY!
Some of the photos are a bit blurry and grainy but I did notice one interesting thing. The photographs from most Dale patterns I've seen look machine knit as in this sleeve detail from the Lake Louise pattern.

Check this out - this detail from the Le Massif sleeve almost looks hand knit, doesn't it? Or perhaps that is what Falk looks like machine knit? All the patterns are in either Heilo or Falk.

As I predicted, DH has requested I make him the Whistler sweater. I prefer the Le Massif pattern so I am at least going to make the Le Massif hat for him as my next project. Here's the Whistler in one colorway - it is all about the maple leaves.

In this colorway of Whistler you can't really tell that it is knit in both navy and black. I am admiring the fancy Dale zipper but haven't yet checked out how much that will cost. When I knit the Dale Sirdal cardigan the beautiful traditional Dale braiding and buttons cost more than the yarn I used.

I'm planning to knit this sweater for December although I will probably have many modifications. DH insists on ribbing so I'll add that at the cuffs and I'm also going to use the maple leaf motif there as well.
I think I'm going to knit this in Peruvian Highland Sport to cut down on the warmth - I've used sport weight before as an alternative to Heilo (DK weight) and I can usually get away with it by going up a needle size. I'd prefer knitting with Heilo but unfortunately he'll never wear it if I make it too heavy. I knit him the Dale SLC Olympic sweater in Heilo and so far he's only worn it once. sigh
The main color will probably be Tapestry Blue. I'm also going to add a few more colors than the original four to the cuffs, shoulders, and collar . I was thinking about adding a lice stitch to the boring plain stockinette portion of the sweater but unfortunately I don't think DH would like the effect.
Leaves Sweater
This sweater was crocheted from the book Crochet Me. The design is by Annette Petavy. What I like about this sweater design is the construction. The waist shaping and set in sleeves are very uncommon in the crochet designs of previous decades. It makes the sweater fit much more like a knitted garment. The other nice thing about this design as well as the others in the book, is that the pattern calls for a larger hook size and a small yarn weight. This produces a lighter fabric and better drape. Crochet is usually so stiff!
This sweater has been heavily modified. If you will notice there are no leaves in this Leaves Sweater. The pattern calls for leaf like thingys hanging down from the hem. I liked them in the pictures but when I started crocheting them onto my sweater I decided that it looked entirely too "Peter Pan-ish" especially with this color green.
I also added 2-3 inches in length to the body and the sleeves, and didn't sew on any seed beads as the pattern called for.
Unfortunately this pattern really gave me trouble. It was riddled with errors. Hopefully there are corrections posted. Usually I am happy to post corrections to the patterns that I knit or, in this case crochet, but this had so many that I gave up trying to keep track. Also in my opinion the pattern was poorly written. Some parts were explained in perfect detail while other areas were vague. There are no stitch counts provided for you to check your work and that bothers me. I hate to complain so much because I know how difficult it is to write a pattern, but I feel that I should give fair warning to those who are interested in this design.
I am very comfortable with crochet so I was able to work out these issues. If you are experienced with crochet this is also a doable project for you. The design I think is very cute.

"Never Not Knitting" is not knitting....
....I'm crocheting....
Ava can't believe it either so she leans in for a closer look.
Yes, I finally drug out my half finished Leaves Sweater that has not been touched since November of last year. If the thought of a crocheted sweater gives you scratchy acrylic nightmares, you are not alone, and don't worry this isn't that type of sweater. I am knitting it in Debbie Bliss Baby Cashmerino, which by the way is so soft!

It has been fun doing a bit of crochet again, but truthfully I am feeling nervous (queasy) about the end product. (I, of course, did carefully explain to the Leaves Sweater that I have no problem disposing of sweaters that make me look fat, quoting the Klaralund sweater as an example.) It is just too soon to tell whether this project will be a cute sweater or make me look like a dated, crochet-clad super freak. We will just have to wait and see....
Better bands and cuffs--the wrap-up
The series starts with a prequel, and runs through 9 further posts, 11 total if you include the prequel and this wrap-up post. (Whew!)
The prequel to the series goes over knitted fabrics which don't curl: GARTER, SEED STITCH, RIBBING and DOUBLE MOSS STITCH.
The series proper starts with the post called "Opera and soap opera" which offers an overview of the problem. This post introduces NORM, WANDA and LON. Norm is a normal stitch--situated in the middle of a stockinette fabric. Norm is supported on all sides by his "sibling" and "cousin" stitches. These all share yarn so that stress leaves Norm literally unmoved--he is pinned in place and will return to shape when the stress (from a poking elbow or the like) is removed. Wanda is an edge stitch at the bottom of a sweater band. Stress makes Wanda wander: a stretch or a poke leaves her all ruffled because she has no support along the entire bottom edge: once she stretches, there are no sibling and cousin stitches among whom to distribute the stress and who can bring her into shape again. Lon is an edge stitch on a front band. Lon stretches out long when stressed, because, like Wanda, he has no support along the stretched out edge to pull him back into shape. The conclusion of the first part is that UNSUPPORTED EDGE STITCHES (Wanda and Lon) are the reason GARMENT EDGES RUFFLE and STRETCH OUT.
The second post (Why cuffs and bands are wonky, and what to do about it) suggests a cure: If you KEEP THE EDGE STITCHES OF THE FABRIC AWAY FROM THE EDGES of KNITTED GARMENTS, the edge stitches can't stretch out. In Norm, Wanda and Lon terms, keeping Wanda and Lon away from the edge means that the edges are populated by Norm-type stitches: supported on all sides, these stitches can easily recover from the stretching stresses to which garment edges are subjected.
This part of the series also laid out the easiest way of keeping the edge stitches of the fabric away from the edge stitches of the garment: a SIMPLE ROLLED STOCKINETTE EDGE.
The third part of the series discusses another method of keeping the edge stitches of the fabric away from the edge of the knitted garment, making HEMS AND FACINGS. Again, this works because the edge of the garment is actually made up of Norm-type supported stitches--the Wanda- and Lon-type edge stitches are carefully tucked in on the inside where they are simply not subjected to the stretching stresses present at the garment edge.
The fourth part discusses how to KNIT SHUT A HEM, either a rollover hem, or a hem with a fold line.
The fifth part discusses why knitting shut a hem is best on narrow tubes (socks, cuffs) but how knitted hems flip up on long seams like those at the bottom band of a sweater. The alternative to knitting shut is laid out: SEWING SHUT A HEM.
The sixth part of the series changes direction away from strategies to keep unsupported edge stitches away from the edge of garments. Instead, this post accepts that sometimes the edges of the fabric will be the edges of the garment, and talks about how to stop such fabric/garment edges from flipping and curling. This sixth post also reaches back to the prequel post about non-curling fabrics such as ribbing, moss and garter. You see, the curling and flipping problem actually arises from stockinette's severe tendencies to want to curl. Even when non-curling fabrics are attached to it, stockinette wants so desperately to curl that it simply takes the "non-curling" edge right along with it. This sixth installment shows how STEAMING AND IRONING can help persuade stockinette away from this unruly behavior.
The seventh part also deals with stockinette edged with "non-curling" fabrics: this post lays out a way to knit single-layer fabric edgings which DON'T flip and curl (or at least, which don't flip and curl as much): ZIG-ZAG BANDS. Zig zag bands solve (or at least: help solve) the curling-stockinette problem because the zig-zag pattern breaks up the fault line along which the stockinette wants to curl. The most common use for a zig-zag band is an improved method to attach a garter stitch edging to a stockinette stitch fabric, a scarf, for example, or the garter-stitch front bands of a stockinette sweater.
The eighth post in the series shows TUBULAR CAST ON for a 1x1 ribbing--a method which controls the edge of a ribbing from spreading.
The ninth part lays out the matching TUBULAR CAST OFF for 1x1 ribbing--a method which makes the exact same edge as the tubular cast on, only at the bound OFF edge.
These two posts--the tubular edge posts--really address a very specific bit of the overall wonky-band issue: the problem of controlling stretching in the very edge stitches of a ribbed fabric. Nevertheless, SO many garments are edged with an unhemmed ribbed fabric that the tubular cast-ON and tubular cast-OFF really might be the most useful posts of the whole series.
Tubular cast-on and -off are really spectacularly successful in turning "home-made" knitting into "handcrafted" goodness, and they both work because they stick a Norm-type stitch--a fully supported stitch--at the very, very edge of the ribbed fabric. In other words, we have completely eliminated Lon and Wanda type stitches, and we have turned them all into Norm-type stitches with these two nifty, nifty tricks. In the process, we have come full circle from the first posts to the last, and this is the end of "of the better cuffs and bands" series. Thank you for reading along!
One final thing: some readers have expressed interest in tubular cast ON and OFF for 2x2 ribbings (k2, p2). Although several methods are familiar to me, none are anywhere near as nice as the tubular cast on and cast off for 1x1 ribbing. I'll keep working away on this problem and will be sure to post if some new trick reveals itself.
--TECHknitter
(You have been reading TECHknitting on: "Tricks for knitting better cuffs and bands, series review and summary)
The Finished Objects of 2007
I have completed in 2007:
5 baby/toddler sweaters
7 baby/toddler hats
2 headbands
2 pairs of mittens
2.5 pairs of adult socks
3 pairs of toddler socks
2 adult sweaters
4 dishcloths
3 felted bags
1 felted diaper bag
1 camisole
1 thong
1 crocheted purse
1 knitted lace bag
1 tea cozy
1 teddy bear
1 teddy bear sweater
8 scarves
6 adult hats
2 knitted flowers
1 pair of gauntlets
1 caplet
1 wrist band
1 lace shawl
1 pair of baby booties
1 shawl
1 felted box
2 pairs of adult slippers
1 pair of toddler slippers
2 pairs of leg warmers
Bringing the grand total to 66 completed items! (And no, I didn't count the 1 sock that doesn't have a mate.)
So, thinking about the 66 items makes me feel really good. I have a nice collection of hand knit things around the house and all my friends and family have at least one hand knit item from me. I guess that it makes me realize that I actually AM accomplishing something.
I also added up all of the finishing and repair jobs I did over 2007.
I seamed/finished:
6 adult sweaters
1 tank top
5 baby sweaters
5 miscellaneous small projects
I also repaired 5 afghans
I unfortunately still have 6 unfinished objects:
a project for a customer (a kitchen aid stand mixer cover)
Ava's red Smock Coat ARRRRGGGHH I have to work on that!
my crocheted Leaves Sweater
my Tilted Duster
my Klaralund sweater
Ava's Seedling sweater
Right now they are all on the back burner because I am working on a Top Secret project to submit to Knitty.com. The rules state that I am not supposed to blog about the project or pattern until it shows up in the issue, if it ever does. I'm really excited about it. I've never done anything like this before! I thought I might as well give it a try! The deadline is Jan 5th and I just decided that I wanted to do this so I have really been knitting every chance I get to get this all done. If Knitty decides that the pattern is not their thing then I will just put the samples on display at The Scarlet Skein and make a class out of it! You see, I am thinking positively. I'm trying not to get my hopes up too much.
DO SOMETHING ABOUT THIS!
I wish that I could tell you that this is all of it. But that would be lying. There is actually more....
I think I have a problem. So anyways.... yeah, 2008 Im gonna knit it. Or most of it, at least. :)
I'd also really like to submit a pattern every quarter to Knitty. I have some good ideas and I think it will be really fun. We'll see how this one goes though.
Your steam iron: a mighty weapon in the fight against curling and flipping
Dear Reader:Today TECHknitting has a Christmas present for you--a maybe new use for an electrical appliance you probably already own: your steam iron. The bulk of this post is about the uses of a steam iron in improving your knitting, and particularly in making hems and bands behave. But before we plunge into all that, I thought to take a brief look at the iron itself.
Now, a new iron will not give you trouble, even if you put in high-mineral-content water. This is because when water turns to steam, it leaves behind its mineral load. But as the inside of the iron's heating chamber becomes coated with minerals, the steam channels get clogged, and the iron starts spitting bits and flakes. Where I live, the water is hard from dissolved limestone, and tap water in a steam iron = little bits of whitish powder spraying out with the steam. In other areas, more staining minerals might be in the tap water: iron (the metal) dissolved in water would cause your iron (the appliance) to stain your clothing in nasty gray or brown splotches. This might be OK on some old underwear but would be disaster on your handknits. (And let's get real, who irons underwear nowadays, anyway?)
Therefore, if you have an new steam iron, keep it new by topping it up only with distilled water--a gallon from the supermarket will last a LONG time in most households. If you are reading this post at 2 A.M. and are struck with a sudden yen to start steam ironing, boiled COOLED water is a near substitute. Boil the water, let it cool in the pot, and pour the cooled water off, leaving the minerals behind. DO NOT USE BOILING WATER--first of all, you will hurt yourself, second, you might wreck the plastic parts of the iron, and third, the water does not shed the minerals until it cools.
If your iron is old, you should also use distilled (or boiled, cooled) water. Fill the iron with fresh water and go steam-iron some old towels on the highest heat setting and the highest steam setting. Run at least three or four refills of water through the iron (this won't take that long--steam irons have tiny reservoirs). This will get the worst of the minerals out. If the iron seems to be getting clean, you might trust it on your woollies, but if you have any doubt, it would be prudent to use a pressing cloth or a flour-sack kitchen towel between the iron and the woollies. (This is also a good idea to prevent scorching, as discussed further, below.)
Another problem with irons is gooky sticky stuff melted onto their sole plates. This arises from ironing synthetics on a high setting: they melt. There are various commercial remedies, and these work well. The old fashioned remedy, as practiced by my grandmother was this: after every round of ironing, grandma would stand the iron on a old rag, and rub an old candle end on the sole plate. (She used white paraffin "household candles" of course, not colored candles or tapers.) The melting wax dissolved any sticky, ironed-on gook, and she'd clean the excess by ironing it off onto the old rag. However, she did this in front of an open window (it smokes) with the iron unplugged, and on a distinctly low-tech iron--no teflon plate or anything like that. Also, the sole plate of her iron covered the bottom of the iron--there was no offset between the sole plate and the heel of the iron for the wax to drip off onto. Nowadays, you are probably better off with the commercial remedies. If you do resort to candle ends for spot cleaning in a particularly tough case, do it CAREFULLY--hot wax is a BURN hazard. It is also a FIRE hazard as are old waxy rags. And of course, with any remedy, home made or commercial, be sure to iron all the residue off onto rags before you would dream of letting that iron near your precious knits.
Well, if you've got the iron in good shape, let's see what problem we want to fix with it...
Now, if you've been following along for the last several posts, you'll know that part of the secret of making non-curling knitwear is by improving your cuffs and bands. The big secret is moving the edge of the fabric away from the edge of the garment by doubling back your bands and cuffs, letting them roll, or hemming them, then knitting them shut or sewing them shut. However, most patterns today do not call for such bands and cuffs. Typically, a garment pattern will call for a band of a non-curling fabric to be knitted onto a stockinette fabric, garter stitch bands on a scarf, say.
The chain of logic behind non-curling stitch bands is this: the garment designer notices, correctly, that stockinette stitch curls like mad, but that garter stitch (seed stitch, ribbing etc.) does not curl or flip. "Ah ha!" says the designer, "I will put a garter stitch band on this stockinette item I am designing, and then the stockinette fabric will be tamed, and the garment edge will not flip or curl."
This is a logical conclusion, and, in fact, garment edge itself will not curl up. However, that does not mean that the GARMENT will not curl up. As disappointed knitters in knitting forums all over the internet can testify, the most likely result of a garter stitch band on a stockinette stitch garment is that the bands either flip up, or the whole garment continues to curl, taking the "non curling edge" right along with it.
"How can I block the curl out of my scarf?" has to be one of the most frequently asked questions on every knitting forum out there, followed by "how can I get the front bands of my cardigan to lay flat?" Of course, the fact that the bands are curling and flipping has as much (or more) to do with the stockinette fabric to which the garter stitch bands have been attached, than with the bands themselves. However, most knitters think of curling and flipping bands as a band problem, so that's why this issue is included as part of a series on bands and cuffs.
One last note before we plunge in: TODAY's post lays out a method for dealing with already existing curled edges, like the scarf or cardigan bands in the above example. The NEXT post will show how to knit edges which are less likely to want to curl in the first place.
CHEMICALS, BLOCKING and STEAM IRONING
Although the idea of using these methods on one's hand knitting may seem beyond strange, chemicals, blocking and ironing are all actually very common knitwear treatments, albeit commercial knitwear. Think about it: don't you wonder why machine-made items of stockinette consent to lay flat, while hand knits want to curl so badly? The answer is partially because machine-made knits are generally knit from finer yarn than handknits, and so the thinner yarn from which they are made can exert less curling force. However, that is not the whole answer.
In fact, machine-made knits have the same tendencies to curl as hand knits, but industrial processes overcome this tendency. In other words, machine-knit fabrics have chemicals applied to relax them, or have the bejabbers stretched out of them or steam ironed out of them, or all three. Hand knitters faced with a wildly curling scarf, or brazenly flipping cardigan bands will be able to persuade these ill-behaved hooligans to better manners with a page out of the commercial knitter's playbook.
A good soaking spray with fabric relaxer is a good start. Fabric relaxer (or wrinkle remover) is a relatively benign substance sold under various trade names. Evidently the relaxer is essentially a wetter, which lets moisture into the fabric fibers, causing them to swell a bit, and de-kink.
Once damped with fabric relaxer, the item can be further wetted with a spray bottle of water, or even a quick trip to the sink for a brief soak, and this treatment can be followed by some serious wet-blocking. When I say "serious," I mean blocking to the edge of the capacity of your blocking board to hold the fabric outstetched, and to the edge of the capacity of your blocking pins or wires to hold without deforming.
Are you surprised by this advice? Many are. And yet, this sort of extreme blocking is not new. Hand production knitters of the past have traditionally employed extreme blocking. Those picturesque sweater forms in the old photos of the Shetland Islands had a very serious purpose, and couture knitting today also employs these techniques.
Of course, extreme blocking like this is going to make the fabric grow. Commercial knitwear factors this in, but unless you first blocked and stretched your swatch and then knit to the blocked dimensions, you probably have not--blocking and stretching swatches is not part of most hand-knitters' repertoire. For this reason, extreme blocking by hand knitters is best reserved for items where size is NOT important such as scarves and lap robes.
This brings us to the main alternative. For items where fit IS important, the steam iron is the most mighty weapon against curling bands, or against a garment which is curling and taking the band.
Now, a steam iron in the hand of a knitter is capable of producing three things:
- steam,
- heat, and
- pressure.
Each of these factors has the capacity to alter hand knit fabric, sometimes fatally, so the first rule of using the steam iron on your woollies is BE CAREFUL. Increase these factors one by one, each in tiny baby steps. In other words, DON'T start with high steam, high heat and lots of force when you come to improve your knitting with the steam iron.
If your item is silk, bamboo, cotton--anything but acrylic or wool--do NOT start with billowing steam. Instead, start with the absolutely lowest steam AND the lowest heat AND the least pressure. Increase the steam in the same manner as you increase the heat and the pressure: in tiny increments.
Steam ironing is a big gun--it certainly has the power to persuade curling stockinette to mend its ways. However, as with all things, there is a trade-off. Although steam ironing will certainly help with curling bands, the price is a rather listless fabric. I knew a production hand- and machine-knitter who HEAVILY ironed all her garments--and she made many, many garments over the years that I knew her. All those many garments did her bidding. They lay flat, yessiree, no question: never a curl, never a flip, no misbehavior at all, and the bands got up to no tricks. However, all those garments were oddly limp, with none of the spring normally associated with knit garments. Therefore, although steam ironing unquestionably works (especially when combined with fabric relaxer) this isn't a method to use if you can avoid it. Better, more elegant, would be to knit the garment with a band which doesn't want to curl or flip in the first place (or at least--doesn't want to curl and flip as much), which is the topic of the next post.
This post is part 6 of a series. The other posts are:
*How to knit better bands and cuffs, part 2: Why cuffs and bands are wonky, and what to do about it (November 14, 2007)
*How to knit better bands and cuffs, part 3: Hems and facings:(November 22, 2007)
*How to knit better bands and cuffs, part 4: Knitting shut hems and facings (December 9, 2007)
*How to knit better bands and cuffs, part 5: Sewing shut hems and facings (December 23, 2007)
*How to knit better bands and cuffs, part 7: Zig-zag bands (December 29, 2007)
*How to knit better bands and cuffs, part 8: Provisional tail method of 1x1 tubular cast on (January 11, 2008)
*How to knit better bands and cuffs, part 9: Tubular cast off for 1x1 ribbing (it's pretty) (January 15, 2008)
*How to knit better bands and cuffs: the wrap-up (January 23, 2008)
--TECHknitter
(You have been reading TECHknitting on: "Steam iron your knitting.")























